Book Marketing Bestsellers: Promoting and selling your books to a worldwide audience. The Book Promotion Blog

BookMarket.com Home

StumbleUpon Toolbar Add to Technorati Favorites
Subscribe via Email
To receive this blog via email and get a free report on 50 Creative Ways to Market Your Books, enter your Email address below:

1001Ways

My Websites


Book Publishing Key Statement

BookMarket.com

John Kremer's File Cabinet

Promoting Your Books

Self-Publishing Hall of Fame

John Kremer Sent Me

Hot Times, Cool Places

Quotable Books

Way Back Words


My Blogs


Teleseminars & Free Reports

Hot Times, Cool Places


What does every good marketer really do? He creates relationships. She make friends. When you begin to think of marketing in this way, everything about marketing becomes more fun. Suddenly there is no foreignness, no fear, no feelings of inadequacy. We can all make friends. It's a talent we've had since we were little children. Use it.

Always do your best. And always, always have fun.

Sunday, May 29, 2005

Radio Publicity: Another Perspective
This following is an email I received from a very good publicist in response to a teleconference interview I did on getting radio publicity:

As you probably noticed, I was present at the teleconference on booking radio. As you offered it to your newsletter subscribers for free, and I have such great respect for you, and there was so much good information in that talk, (and as this is such a big can of worms), I'm reticent to bring up any feedback, but here I go.

It's always a conundrum when someone who is good at what he does has his underpinnings in something rather off-centered, so it's tricky. However, I cannot help but notice the following about your guest:

First, he's not completely honest. Examples include the fact that many big stations in big cities carry big wattages. So to tell your participants that stations the FCC reserves big wattages for little bitty towns that would otherwise not be heard and that if stations in big cities carried big wattages they would "bleed" into each other is simply not true and is very misleading. KGO in San Francisco is a 50,000 watt station and isn't bleedin' on anybody and reaches a whole lot of people up and down the coast. Hello?

[John's comment: High wattage stations can bleed into other nearby stations (on the radio dial, not in physical location). That's why some high wattage stations can only turn on their highest wattage at night when other nearby stations are off air. The other way this can be controlled, of course, is to have no nearby stations on the radio dial, at least within near reach of the 50,000 watts.]

Also, *big* hole in telling people what their options are in getting on radio. He doesn't even mention book publicists!! He mentions public relations firms and then quotes staggering monthly prices. Mon Dieu! For the written record for all of you listening last night (or reading John's blog): book publicists are the work horses of the book marketing world and we do NOT (repeat, NOT) get (or charge) "five to ten thousand dollars a month." Baloney. I WISH! We are more likely to get two at BEST. And while it's all fine to tell people it's "easy" and "you don't need publicists to book radio" (John...), you might. I think your guest suffers from what I myself sometimes suffer from and I know other publicists who suffer from the same thing. We don't GET how what is "easy" for US is "hard" for someone else. We simply do not
get it. And that's why WE are the marketing people. I myself specialize in print media (I'm looking for serious readers), but the publicists who excel at booking radio such as Planned Television Arts, Newman Communications, Kathlene Carney & Associates and Peg Booth are not going to be charging such exaggerated fees, I assure you. They'd be out of business.

[John's Comments: Ah, but many PR firms do charge $5,000 or more a month. I know because I've talked to many of them. And they get it. Phenix & Phenix, for example.]

And this brings up a bigger can of worms for me, which pains me to say, which is the entire movement that tells the masses that it's easy to publish your own book, market your own book, distribute your own book, make those calls. It is not. It might be easy for those few of you who possess the qualities that your guest has, or I have, or John has. But it is NOT easy for the masses. And that's why they are now clamouring for teleconferences like last night because they were duped into thinking they could publish their own book and become, and be good at, oh, let's say TWELVE different professional jobs, and they are now sitting there wondering how in the heck they got into this and NOW WHAT DO THEY DO?

[John's Comments: Personally, I usually discourage people from self-publishing, if they ask me. The first questions I ask most of my clients is: Why are you self-publishing instead of selling the rights to a larger publisher? I think most authors are not cut out for self-publishing. As you say, it's a business, a time-consuming business.]

And you guys are now telling them they "don't need publicists", either?? Shame on you. :)

[John's Comments: I do believe that any author who is self-publishing can do most of the publicity work themselves if they sit down to learn the business and they create their Kremer 100 list and focus on it. They need to build relationships. I tell them that if they don't want to do that, they should hire a publicist who already has those relationships built up.]

No, instead your guest is telling them to leave ONE message to a producer, and then on the next call to simply hit zero and page the poor producer and then (oh, yes) "be succinct". Boy, now I know why 25 years ago I could get producers on the phone and why now I can't. Because some marketing bunny is profiting (bigtime) by telling people who are NOT professionals who have not been trained to call producers in the middle of their work day and have at it. Lordie.

[John's Comments: To be fair, in his course, he does teach people how to be succinct.]

OK, here's my last big big bugaboo with last night, where I'm referring to what people are hinged to, what their real agenda is. Because I'm thinking of all these poor working folks who are driving home in their cars after putting in what, ten hours including commute? And here's Our Expert telling book authors to "create controversy" because that's what radio wants, and that's what sells books. FORGET the effect this has on the commuter. Forget what he might really be needing at that moment, like an intelligent, thought-provoking conversation. No, go for the juglar. Because I profit. And the heck with the effect it's having out there on the roadways where we now have road rage to deal with and erratic and rude behaviours. Just feed the beast. That's the name of the game.

[John's Comments: Oh, my gosh, I never thought that creating controversy meant to upset commuters. I thought it mean to make things interesting. Most amateurs who go on radio are so boring simply because they are afraid to take a stand. I thought he was telling them to take a stand. Be interesting.]

I am a socially responsible publicist. I have maintained for (now moving toward) three decades that that title is NOT an oxymoron. I remain committed to *improving* what I call The Conversation. I promote thoughtful books aimed at raising consciousness, of reawakening people to their own true spiritual roots, to making a difference. And I deplore some of what was taught last night, because it is not good for people's hearts or souls. And as Chris Rock would say, "That ain't right."

[John's Comments: I believe very much in improving people and trying to create a better world. I do know that Alex sometimes pushes the point, but remember that he is often speaking to people who are afraid to stand up for their own point of view. He has to push their buttons sometimes. Most listeners get probably 25% of what he says. Most act on about 10%. As a speaker, I know this to be true for most audiences. They really get only a portion of what you have to offer. If you want them to get more, you often have to be outlandish, push buttons, be dramatic, overstate the case, etc., just so they do something.]

End of email message.

I think book publicists fill a great need. Secondly, few books will benefit from an all-radio publicity campaign. You really need to work print publications as well -- and, in many cases, more so. Personally, my favorite media vehicles are magazines and national newspapers such as USA Today and Wall Street Journal.

With any publicity or other promotions you do, the most important thing is to have fun doing it. If you're not having fun, hire someone who does enjoy it. Because only someone who truly enjoys what they are doing can be effective.
Bookmark and Share

John Kremer's Ten Million Eyeballs Internet Marketing Event

1 Comments:

Blogger Thomas Nixon said...

In terms of cost for such publicity, Rick Frishman discusses money in my blog. I think it was a February interview, but it's at:

http://smallpress.typepad.com/index/2005/02/rick_frishman_o.html

Talks about $10,000-20,000 for six months, but could pull together some quite useful things for $4000-5000.

It's worth a read.

31/5/05 9:36 PM  

Post a Comment

<< Home

Technorati Search

Book Marketing Web Site
Google

John Kremer

Book Marketing Expert John Kremer is the author of many books including 1001 Ways to Market Your Books, The Do-It-Yourself Book Publicity Kit, and many other titles. He also developed the New York Times Bestseller Program to help authors become bestselling book authors and the Ten Million Eyeballs program on Internet marketing.


RSS Feeds

Powered by Blogger

Subscribe to the RSS Feed by clicking on one of the following graphics:

Book Marketing Bestsellers

Open Horizons

Open Horizons

Book Marketing Bestsellers

AudioAcrobat!
Previous Posts

Children's Illustrators Design Competition

Feature Your Photos from BEA During BEA!

Books That Can Talk, Walk, and Smell!

Blast Those Cookies

Humor Attracts, Humor Sells

News Releases -- Opening Leads

Indexing Your Book

Publicity, Publicity, Publicity

Approaching Newspaper Book Reviewers

Incredible Blogs Lead to Paid Speaking Engagements...


Archives

January 2005
February 2005
March 2005
April 2005
May 2005
June 2005
July 2005
August 2005
September 2005
October 2005
November 2005
December 2005
January 2006
February 2006
March 2006
April 2006
May 2006
June 2006
July 2006
August 2006
September 2006
October 2006
November 2006
December 2006
January 2007
February 2007
March 2007
April 2007
May 2007
June 2007
July 2007
August 2007
September 2007
October 2007
November 2007
December 2007
January 2008
February 2008
March 2008
April 2008
May 2008
June 2008
July 2008
August 2008
October 2008
November 2008
December 2008
January 2009
February 2009
March 2009
April 2009
May 2009
June 2009
July 2009
August 2009
September 2009
October 2009
November 2009
December 2009
January 2010
February 2010
March 2010

Blog Roll

Backstory by M.J. Rose

Bob Bly's Writing Blog

Booklust by Patricia Storm

Bookslut by Jessica Crispin and Michael Schaub

Buzz, Balls & Hype by M.J. Rose

The Cusp of Something by Jai Claire

The Elegant Variation by Mark Sarvas

Galley Cat by Nathalie Chicha

Information Marketing Expert by Fred Gleeck

The LitBlog Co-op

Old Hag by Lizzie Skurnick

Principled Profit by Shel Horowitz

Published and Profitable by Roger Parker

Readerville, edited by Karen Templer

Small Press Blog by Tom Nixon

The Voice of Your Muse by Mark David Gerson

The Writing Life by Terry Whalin

Claire Zulkey's Literary

Open Horizons, P.O. Box 2887, Taos NM 87571
Phone: 575-751-3398
Email: JohnKremer@BookMarket.com
Copyright © 2010 by John Kremer. All Rights Reserved